How To Make A Model Farm

anthropological revolution Keynes

I'm a liberal?, A collection of essays dell'Adelphi

widely recognized genius Keynesian economist. Forgotten, just as similar to the technocratic hangover of the last thirty years, is its intellectual dimension. A serious limitation, since the two souls entwine into one of the exceptional and its inextricable source of the originality of Keynesian thought. Keynes was even aesthetic, tied to the Bloomsbury Group, was mistress of the painter Duncan Grant, a friend of the writer and critic Lytton Strachey and Virginia Woolf. So much so that before the summa of his economic thought, The General Theory of Interest, and Money 1936, his works were for the most nimble of thought or essays in acute polemical pamphlet that now the Adelphi back to the library by Giorgio La Malfa. I'm a liberal? is the title of the collection contains works at the time known as The end of laissez-faire or the writings dedicated to Newton and Malthus. Keynes, who lived between the wars, in the sunset of his illusions and nineteenth-century Europe, was a spectator of the unexpected leading role of the masses and had plenty of material to turn the page with a mechanistic view of economic relations established with the Enlightenment el ' industrialization.
the eyes of a keen analyst as he, in fact, the pettiness and myopia of the ruling class European or irrational forces unleashed by the story could only lead to a profound critique of utopian concepts classical economics that saw human societies as a perfect set "mechanical clock" where the divine law and to replace its natural order had reached the "invisible hand", the discrete mathematical balance of bourgeois economics. How to justify, in fact, the political and economic crises of that terrible three decades, the succession of speculative and failures, the rigid ideological stupidity with which the political class had reiterated the laissez-faire, by refusing to remedy the manifest inability of self-regulation of the market?
The answer lay in pettiness, fear structural nature of human beings dominated by illusions as fatuous as psychologically necessary or likely to place their perspective in the short and medium term. A reversal of anthropology, in short, to Keynes, that would translate into macro-economic revolution, which gives a very penetrating essay in the Council of Four, chapter at the economic consequences of peace, where he tells the match between the winners of the First World War. The Italian Vittorio Emanuele Orlando, U.S. President Woodrow Wilson, Britain's David Lloyd George and Georges Clemenceau tired all involved because Germany lost the advantage gained from 1870, returning to the French leadership in continental Europe. A small theater that narcissistic tic of a class policy unable to see beyond your nose, and narrow-minded nationalistic reflexes unrealistic prejudices Keynes captures in full, foreshadowing the dramatic consequences. We
in 1919 and a sentence may be enough for all of Keynes: "You can not restore Central Europe to 1870 without creating these tensions in the European structure, and unleash those forces to overwhelm the human and spiritual, transcending borders and races, not only we and our "guarantees" but our institutions and order in our society. " Dramatic global consequences of the closures that allow national English economist to notice the arrival of fascism and a new, more devastating conflict, and review by the deep economic theories based on models refractory to the discoveries of the century: the irrational and the psychological dimensions as decisive as the rational calculation in the conduct of individuals. Those animal spirits (the title of a book by George Akerlof and Robert Shiller) rediscovered the crisis of 2008 after they were again denied by the dominant economic theory, all focused on closed systems and mathematical models, which were nothing if not refined justifications a jungle where the strong dominate. Anchored
this skeptical faith, economic theory of Keynes would have established the need for corrective able to meet the limits of individual action, by definition unstable and contingent. Which meant to revolutionize economic theory, beginning with the questioning of classical theories and marginality, convinced of the ability of individuals to self, to open a model that, taking the limits of the individual, did rely on the ability to reform states. First, to prevent a lag in demand, natural or tilting of the men prevented saving investment, hampering the full expression of the productive capacity of the economic system and penalizing employment. A real change of perspective, as he himself says in the end of laissez-faire, would transform the market utopia based on the natural liberty of the eighteenth century bourgeois human institution that works if the rules which govern it are appropriate and virtuous.

Internal Hdd Hard Error Dell

Bondi Why should resign

Two years business and disaster

Last week came the fourth, maybe fifth fall in Pompeii. This time, two walls in the street Stabiana, while the ruins of the archaeological site you do business means an agreement between Italy and Bulgaria for the movie The Treasures of Pompeii Michelle Bonev, actress so pleasing to Silvio Berlusconi, already generously subsidized for a million euro by RaiCinema. In this regard, the Court of Auditors has opened a file on the gangway of the Venetian Bonev sponsored by the Minister Sandro Bondi. Returning to the collapses, instead of resigning, the Minister invites us not to dramatize. For now, he has been spared the censure motion after the decision of the conference of leaders of Deputies until the close of voting on December 14. After that, who knows if it will still be in office. At least one thing, in fact, is wrongly accused: not having a clear goal, because it is animated by a single pole star, or that investments in culture are meaningless if they are cash immediately. We saw the birth of superdipartimento for the development of museums, headed by Mario Resca, former manager of McDonald's board of directors and Mondadori, a company that has contracted 30% of services for the state museums. This was also seen with cuts, 1 billion in three years, almost 20% of the total, which invested mainly in the protection, reduced by 157 million compared to 2008 (-471 million, compared to 2007). And while it weakened the ordinary structure of the ministry, with a budget of 1.4 billion in 2011 against 7.5 in France, while the superintendents ordinary chaos reigns, those with most potential were the object of special attention.
The concept is clear, throw away what does not make it and put his hand where there's money. Moreover Resca told in no uncertain terms: "The state can and should manage a maximum of 20-30 museums, not 460." Too bad, which not only jeopardize the Italian cultural heritage in what they have unique in the world, dissemination, integration into the social fabric and landscape, you are not bringing any benefit either in the nodes that you would like to guarantee. Just a list of achievements in strategic investments. In November 2009, was appointed commissioner for works of the great Uffizi, Elisabetta Fabbri, who had resigned four months later, after an investigation by the prosecutor of Florence pointed the finger at procurement of major events and the choice of the director of construction, such that Riccardo Micciché Ros technically qualify as "not proven responsibility that has contacts with mafia members in the context of conditioning." In Venice, Vittorio Sgarbi comes in June in 1996 and finally judged in six months and ten days imprisonment for the crime of aggravated forgery and fraud against the State and continued to produce false documents and absenteeism in the same supervision. His appointment was revoked by the Court in August.
In Naples and Pompeii, two commissioners and three superintendents in two years. In a year and a half the last commissioner, a man of Bertolaso, unable to commit almost 40 million euro, only 28% protection, with the results known to all, and partly under review by the judiciary. In Rome, where the Palatine and the Baths of Caracalla continue to be at risk, there's three superintendents in two years, the last of whom, Anna Maria Moretti, interim. At the same time period, supervisors are paired two commissioners, before Bertolaso \u200b\u200bin person and now Roberto Cecchi, Commissioner for the Metro in Rome and Naples. Not to mention the Domus Aurea, headed by Luciano Marchetti, Commissioner for the reconstruction of the Eagle and the tenant of an apartment owned by the Institute of Propaganda Fide. Institute at the center of an investigation because of renovations funded by the recipient through the service company Mibac Arcus. So far, for the news when all studies show that cultural heritage is a strategic sector for economic recovery and image of the country. For this, however, we want to protect and restoration. Politics, you know, who do not cash in half term.

How Does Abreeva Work?

Ashes West

Last pamphlet Emanuele Severino

What happens when a piece of wood burns? Is destroyed and in its place is a pile of ashes. This, Emanuele Severino, the explanation is nonsense that comes from the Western thought. Meaningless as the idea that one thing is - that there - can suddenly disappear into thin air. An absurd idea that, applied to human beings, filled with fear for the life of nothingness that awaits them after death. A play with a special wire synthesis of these reflections is the last book of the philosopher Brescia THAT 'Intimate hand that holds it together and not be rational in the madness of the West (Vintage, 179 p., 26 €). A small sum of forty years of research, which intersects with particular clarity and theoretical analysis and anthropological-political.
The response to the trauma of becoming, to Severino, is rather simple and reassuring. Is that the disappearance of things can not contradict the Basic Law of the ontology: the impossibility of being becomes nothing. The vanishing of the trunk under the workings of the flames, rather, it will mean his move elsewhere, because "the wood is ash and as such can not become one." Averted the nihilistic vision of the West, so "come forward who remain the eternal being and all this can come back." A penisero already expressed in his last works ( Joy , Destiny and the need Pass), where the philosophy is recognition of the fullness of existence, that is destined for glory as Joy ontological predestined to be, although for eclipse reappear.
Teoresi aside, what is most original in the latter book is an anthropological and political analysis. The accusation against a West convinced that everything that exists and is back to nothing and that this has taken the technique, the ability to create and destroy, at its undisputed leader. The criticism of a discontinuous view of history of cycles in the conflict between them, a fund of violence that justifies murder, because they are already enrolled in the course of things. The protest against a clash of faiths, religious or otherwise, that vie for the world dedicated to the only thing that can make sense once claimed the impossibility of a spiritual and eternal: the will to power.

Stopping Vitiligo From Growing

Piranesi, the dreams of reason

An exhibition at the Fondazione Cini

After more than two thousand years to the center stage at the end of the eighteenth century Italy would have been dismissed history. Device clearly in the guidelines of the European neo-classicism in the nineteenth century inhabited by an eclectic provincial and characterized later by a contradictory modernity would follow the decay of a Mediterranean that it had made a fortune. The dismissal, however, was not silent. The last fires of a long tradition, in contrast, would produce a generation late heroic Tiepolo, Rosalba, Canaletto and Piranesi. Just Piranesi, whose many-sided figure is given until 21 November, an exhibition at the Fondazione Cini refined by Michele De Lucchi. Architect, engraver, intellectual, antiquarian view painter, designer, according to a total conception of art enhanced initiative Venice where you can see some of the furniture and furnishings made that he had dreamed in his prints. Artist
according to the Italian humanistic tradition that brings with it all the classical genius born and flourished between the Renaissance and Baroque, a student of Matthew and John Lucchesi Scalfurotto universalism in Venice and then Rome, Piranesi would have created a brand new genre: the graphical views, including attention and antiquarian whim. The colossal ruins of Roman civilization that Italy knows unparalleled decadence, complacency in the face of immense rococo destructive force of nature that the failures of this explains everything. Shades cultured from curators who have shaped the taste for classical antiquity in the fashion in emerging European market with a lack of confidence throughout Italy looks to the past with nostalgic admiration.
Piranesi ambiguous and polymorphic, therefore, a rationalism that not being able to realize aspirations of the great on paper (as in extremely precise as imaginary plants archaeological Rome), studying an antique ideal of reason is like a dream. Artist emblematic of a country that is not fully able to make the leap to modernity and that will be long before the match with a new generation of European artists of the giants of Masonic theophanies Tiepolo or perspective views by Canaletto severely shaken by a tremor atmospheric flavor yet baroque.

Juli Ashton Streaming

Usure, the aesthetics of post-Risorgimento

the Belgian pavilion at the Venice Biennale

The discovery of synthetic materials resistant to wear seemed to square the circle. A cheap, malleable, durable and, above all, it was believed, indestructible. Were bakelite, plastic, asbestos cement (as eternal as the name suggests) the murite, anodized steel, and even the pure virgin wool. That with the passage of time, however, began to show their flaws. Scratches, dents, wear is to demystify the image that came out of substances by the human mind like Athena from the skull of Zeus. The solution to this unexpected, was the use disposable: If your copy of the ideal earth was subject to decay, it would just replace with another brand new replica. So, until the saturation of the last decades, where plastic and litter everywhere there would remember the sad aspects of material utopia.
to question this aspect of modern culture - a long industrial research almost a century and began in the nineteenth century - is the intelligent initiative of the Belgian pavilion at the Venice Biennale, given this year's Rotor Group, a collective of designers and architects open, like the rest of the exhibition of architecture, until 21 November. Usus / Usures, title, seven rooms where a be exposed is the deterioration of objects claimed to eternally remain identical to themselves. The exhibition includes a small desk discolored, worn two handles, a subway seat that bears the marks left by thousands of passengers and many other old industrial objects and used that revived a forgotten poetry of the time, the aesthetic value of the traces left by life in its wake.
He explains with particular effectiveness, refined catalog, packed with a cover made of cloth on purpose to ruin and dirty early. "Why do you want to deny the wear tracks of time," because to insist on producing architectural spaces and refractory organic dimension, precarious existence? Now that the process without jumps of modernity does not believe any more - back to architecture - why not abandon once and for all the illusion of technological machines that destroy the planet to live and alienate people who live there?

How Do You Stop The Rosacea Itching

In art, the fictional town of a country lost

"A-arms, language, altar, memories, blood, heart." Manzoni Italy is the exhibition for the 150th anniversary of the unification at the Quirinal Stables in Rome. 1861, The painters of the Renaissance, a fresh review, all red shirts, tricolor and altars of his country where, walking, seem to hear the trumpets of Garibaldi's troops. Both color and folklore and spirit of the nineteenth century academic and eclectic, enormous paintings of battles, however, are paintings in which to lose yourself to contemplate the death of our young patriots, always heroic and never cruel. Sublimated from popular aesthetic that is clearly aimed at his goal, showing how the Risorgimento was a serious matter.
unite the people around the civilization of technology to contribute to a collective mission of emancipation and progress, this sense of the epic national and nine years later would bring the capital to Rome, beginning the most important period of reform and public works public that the country has ever known (often greater than that inappropriately praised fascism). Schools, hospitals, roads, bridges, railways, ports, universities, libraries, museums, research centers, cities, water systems, housing, industrial districts, eventually made for the project that led to the unit. A project bourgeois determined to involve the people in all its varied composition, from young to old, from farmers to artisans, and intellectuals to scientists. Just who in a famous painting of Napoleon and Nicholas Daniele Manin Nani lead Tommaseo in triumph in Piazza San Marco in Venice, or in a painting by Gerolamo Induno joyfully accompany the descent Garibaldi at Aspromonte. What is the Risorgimento
was a crucial moment, it can be seen also in art so mistreated during those years which focuses on the review of the Stables. From 1830 to the end of the century, where stands the aesthetic or novelty. Where there is, indeed, a discrepancy with what was happening in Europe, particularly French art, where eclecticism was diluted by other forms of avant-garde research. A historical delay, however, fully justified in a country that has just seen the light and that has to build its national identity by putting together the pieces of a history and geography as diverse as rich. That's so, the canvases off the time of Jerome Induno, Michele Cammarano, Ippolito Caffi, Francesco Hayez and many others, the echoes of the Renaissance chromaticism, the views of Canaletto, the gradient of a Carracci Baroque, the battles of the Cavalier d'Arpino or interior of popular Bamboccianti. Nothing to Courbet aesthetic realism, romanticism aware nothing to Delacroix. But the return, resurrected by the Academy, the Italian tradition of pictorial genres, from history painting to that of gender. All this, and thought in the nineteenth century in the filter name of a new national culture - at once aristocratic and popular, that is - of a united Italy.
a new nation and perhaps a bit 'naive, that you can see the stables, which raises nostalgia almost. As the operation culture of many artists who have contributed, sometimes anonymously, to the creation of a landscape, a national imaginary that stand to this day. I do not perhaps show the advertising campaign of Berlusconi, all focused on the artistic, architectural and landscape of our country? Or the enthusiasm with which the Italians took part in a few years ago the choice of monuments to be put behind the new €? A wealth of images and symbols typical of a young and strong community that was able to federate with determination around a common project and build with art and culture, codes of its long-term stay together.
pity, then, that the aesthetic unity and civilization typical of all the paintings of show has not translated into a company then realized, industrialization in uniform, in a fully Western modernity.
pity that the Italian landscape was not only enriched by the creations of the new civilization, but have now largely an urban sprawl, aggressive, violent predator who has disfigured his face. A real tragedy and destruction of illegal buildings that has the name of the Gulf of Naples, the new quarters and the historic center of Palermo shattered, the outskirts of Reggio Calabria, places now forgotten or snubbed by the tourists who have havens in the paintings of the nineteenth the Grand Tour a pity, then, that the fresh enthusiasm of the Renaissance and forward to the Stables Quirinale has been so sadly betrayed. Too bad though, as the exhibition reveals, there remains a cultural heritage of images, symbols, tenacious and full of vitality. A heritage from which to start.

Bullocks Sandra And Jessie Jane Online

Camper Travel in Tunisia - October 2010

not possess any book, Saturday, October 2, we presented ourselves at the ticket office of the NGV, Grandi Navi Veloci, the port of Genoa and asked if there was still room on the ship that departed from 3 hours to Tunis. Affirmative response, we have disbursed € 473 one way for a caravan of 7 mt + 2 people outside cabin or even an hour later, we were on board.
not before saying goodbye to his friend Gero who know of our journey had come to greet us at the Port, which has made us very happy, since they do not see him for some years.
Punctual at 15.15, set sail per Tunisi.
( Clicca qui per vedere una visuale di Genova e del suo Porto mentre la nostra nave parte per Tunisi)                                                                                                                               (Click on images to enlarge)

almost empty vessel containing passengers mainly Franco-Tunisian and French / Algerian and a few French tourists, (for them, from Genoa, the ticket is cheaper than from Marseilles), more 'a large and noisy group of bikers on Harley Davidson Italian.
The 24 hours of sailing, continued on a sea of \u200b\u200boil .. just! On board, after about 3 hours of sailing, we were invited to participate in the exercise of any, highly desirable, save (now mandatory, since Europe has approved rules that require shipping companies to carry out rescue drills at least one once a week).

Info (Nov.2010 to 4) On
m / ship of GNV Splendid, from Genoa to Tunis and back, NOT give electricity to CAMPER OR 'is performed or the Open Deck so-called "Camping on board".
"rumor" that "would" on the line, Palermo> Tunis ... (To be verified, we have not yet done)

TUNIS
landed in Tunis and later, more 'or less, 2 hours of waiting, the huge bureaucracy to carry out customs, we headed from our nice friends Lorenzo and Samira, known in Egypt in February last year and now co-owners of the "Kite Blanko, fantastic local KiteSurf directly on the beach of Cap Gammarth.

(KiteSurf the "blank")


(at the Movenpick in Tunis with Samira and Lorenzo)


Three days of relaxing at the beach of "Blank", a few beers and Wi-Fi Free with the camper parked in the parking in front at Henry Village, or within the same, giving Dt 5, to Mrs. guardian ....) We also went by taxi to visit the little ruins that remained of Carthage with his museum and significant way to the south, do not be gone before the Libyan embassy in Tunis, to try to get visas and extend Vacation in Libya to visit Leptis Magna, Sabre, Gadames and, if possible, the desert Acacus. Can not visit this country. Increasingly expensive and complicated, the issue of invitations, even if, say, 2 months now, no need to 'cover inside. We give at the moment, but definitely not ... we will see below ...

Cap Bon peninsula
We salute our wonderful friends, Lorenzo and Samira, who have honored us, giving us a great dinner at the Movenpick in Tunis, and the day after a delicious grilled fish on the beach of "Blank" and head for the Cape Bon Peninsula.

Korbus
now in the dark and arrived near Korbus, town .. oh my .. tiny, typical urban area, known for its thermal waters, as if perched on the southwest coast of the peninsula of Bon, (almost in the face of Tunis, for instance) we decided to stay in the only parking lot of the village, past the center, along the 'only road, uphill, which was continuing to come off, forcing the next morning to go back. (there are also large parking areas, isolated by the sea, a few kilometers before arriving in the village). Night quiet and warm.

the morning of October 5, broken down by the head, the wrong road, on erroneous information received from local people, which, very often, in giving us information, confuse "A droite" (right) with "a gauche" (left), also because of the noise, uncontrollable laughter that sudden burst of Anita, just lost in the face of the speaker, (sapeste. .. that figures!) Which , taken aback by the demand of our information and will most likely not know the answer to us, begins to make faces for the occasion, taking so funny faces and taking it from very far just to strive nell'esaudire our demands ... to me it takes me too, given the precarious situation of forced stop on the roadside, while quietly begin to hum goodbye ... .. once again we caught one who knows nothing .... and Anita, this point, now at its peak, burst into uncontrollable e. laughter. see I'm 'poor Christ, who also began to look around ... as to whether and when' the subject of a hypothetical "Seriously." At this point, it starts to become so tragicomic touches me a rush, thank, greet, engage the gear and go fast, but take away from this unusual and embarrassing situation. The fun fact 'that, Anita, no longer able' to restrain from stopping the rice, now at the stage .. tears, infects so much me too, that I burst out laughing .. and leave you to imagine what we seem ... Unfortunately, and 'to report that it is not' the first time that this happens.
Our daughter finally says that sooner or later I'll be able 'to talk to his mother, even ehehhhhh with a camel! We'll see ...

Kelibia
The next day, overcome by the lighthouse of Cape Bon, and we head to Kelibia, where he stopped a few meters from the beach, before the restaurant "El Mansour" raccomandatocelo also Amandine, our French friends and in front of large village of Going, this period ended.
was almost noon and we just have to get recommended to try this restaurant.

Good service and lunch of fish, there's no 'that is, to come up servitoci a marvelous terrace overlooking the sea, where we were occasionally sprayed droplets of the waves crashing below.
The cost 'is of course related to the service and not 'sure what you normally spend to eat the fish in Tunisia in a nutshell ... .... and' slightly more 'expensive. The restaurant also has Wi-Fi 3-time Dt.




Info: (October 2010)
Cost of Fish:
sea bass (loup) and Sea Bream (Dorada) per kg:
a) caught 22/26 Dt (€ 12.10) ;
b) sea ranching 10/12 Dt (5 / 6 €)
- Prawns (shrimp) 28 Dt per kg (14 €)
- Squid Dt 15 per kg (7.50 €)
- Lobster:
- 50/60 Dt Market (25/30 euro) per kg (and if it is based on the period)
- the restaurant 100/120 Dt (50/60 euro) per Kg
- Carrefour to Tunis 95/100 Dt
The best fishing period, from March to September.
Bread: 1 baguette Dt.
Kg Fruits: Pears Citrus
Dt 2 per kg: 1.2 Dt oranges, Clementine 1.8 Dt
Currency Exchange (ott.2010): 1 Euro = approx 1.912 Dinars (you pay no commissions, and sometimes ask passport). Cost of a Sim
Tunisia (Mobile) 5 3 Dt Dt in traffic (also convenient for making phone calls in Italy) (make photocopies of the passport)
If you want to save more, go to the shops "Publinet (payphones)

After long and healthy walks barefoot on the beautiful, deserted beach Kelibia, under a hot and scored more than 34 degrees the next morning we left for Hammamet.

HAMMAMET
(Hammamet: tourists on camels)

parked the vehicle, directly under the walls of Medina, into the parking near the beach and having given 4 Dt, dall'omino requested from us, identify yourself, as guardian (illegally?), we have begun to explore the narrow streets of the medina itself, admiring the colorful shops and out in the bottom, where there is a large Islamic cemetery and the small Christian.
In a corner of it and 'buried Craxi.
After a healthy walk along the long beach of Hammamet, already evening, we preferred not to sleep in that parking, 'cause, being the day after Friday', known feast day in an Islamic country, the evening could be characterized by a lot of people walking mess and then we started to campsite Nabeul.

NABEUL
Almost at dark, we barely hit, the narrow entrance door of the Camp which is located at the beginning of the country, coming from Hammamet and 10 km away from it.
should turn right, before the Hotel Slovenia, (visible) and in this way, after 100 mt on the left, past the Hotel Les Jasmine which includes "pendant" there 'from the front door throughout the camp surrounded by ivy.
Just inside, perhaps given the late hour, we noticed a large crowd of other vehicles, especially Toyota and Nissan 4x4, users of the desert, with almost all the narrow places already 'occupied and risicatissimo room to maneuver, because gl 'countless olive trees, low branches and flowing, that prevented a camper top and as long as ours, to position itself for the night.

We just have to go out and we had to do, even in reverse for lack of operating space, deciding to continue to make parking free on the waterfront (just need to continue for about 300 meters, on the same street of the camp, to the sea and arrive at its end) where a rapid French, had just arrived, coming out of our campsite for the same reasons. Next there are the ruins of Neapolis.
quiet night, but still very warm, though sleeping on the beach, we thought that a slight "breeze" would ease the heat. Nothing was calm.
continues ... .. ....
Wake up early and greeted the French couple with Quick, we left for the south of Tunisia, returning to Hammamet and taking the highway. All good, right when traveling in the "author", but at the end of it and with the beginning of the road normal, the average speed 'drops significantly, including trucks slow Peugeot Vintage, carts, donkeys, farm tractors and more.

EL JEM
we come to El Jem to see the well-kept little "Colosseum" in Rome in 238 AD jewel that attracts many tourists and we stopped in the parking lot outside the amphitheater, a cost Dt, but you can ' however, park in various other places around the site)

(Click here to see a sequence of photos inside the Roman Amphitheatre of El Jem)



After visiting the beautiful amphitheater, we went on foot to his important museum which is about 700/800 mt. Hot increasingly 'high of nearly 34 degrees.
off again after lunch (sometimes the air conditioner of the Duchy and 'a true refuge) moving towards Sfax.

SFAX
arrival in this city 'in full-time to return from work and almost dark. I do not say that chaos. A goose-stepping, we headed to "Centre Ville" to the parking under the walls of the Medina, known by all as "Bab du Wan" for the paltry sum of 0.50 Dt, we have done to enter.

of them 'a little, approaching 3 / 4 as well as young people who offer to wash the camper, which we politely declined, for our question on security for the night, we respond to them 'you can' sleep peacefully, but on the other side of the road, there 's a car in front of the police station and where we want, we can also pass it kept .
then I care to go and do a proper inspection and having also obtained by the policeman on guard, with the answer in the affirmative by campers. Just

terms of location and just the time to ask the distinguished gentleman who was passing nearby, to give us a good grilled seafood restaurant in the Medina, I see a guy who is approaching, qualifying as guardian of the parking , tells me to go away immediately, 'cause he claimed to have had orders from the Commander of the Gendarmerie of Sfax, that all cars with Italian plates, French, German, Algerian, Libyan, Moroccan and so on. etc.. can not stand in that parking lot, but only a car license plate with Tunisia. I tell him that before entering, I had the answer in the affirmative of that policeman on guard, indicators and that are also willing to show him our passports, but this man .. nothing .. always telling me to leave.

then calls the police officer approached us and began to confabulation with the "guardian" of course in Arabic. I see them a 'little policeman, very contrite and apologetic, I should leave. I tell him obey and that I understand that all this 'and' due to a safety factor, but I do not think of having "faces of terrorists", there being also provided in wanting to produce all necessary documents at length the proper identification. He apologizes again, spreading her arms as if to say, "higher order" (you ... but from a guardian? .. I think ... oh, well!)
We therefore had to get out of that parking lot. After a few laps

nell'incasinato Center of Sfax, finding no better, we had to return the car earlier that under the walls of Medina, now empty and positioning ourselves so that we can spend the night.
Undeterred, I tell Anita to prepare for that is going to eat a nice grilled Pesciotti, right where we had suggested that separate the Lord .. There was, however, that it is equally bad, also apologized to us for the vehemence of his fellow guard ...

excellent evening. Restaurant clean enough, 2 grilled sea bass lick your fingers, with different contours, (usual, ubiquitous, spicy and tasty "harissa") total cost of Deuteronomy 23, that '€ 5.75 per person! (Restaurant Boundaya ", coming on foot from the nearby parking pass from the 3rd port of entry to the Medina, turn left immediately and even after 50 meters on the right is the Restaurant)

In return, we slept badly, not fear, but despite the unbearable heat .. 4 ventilatorini 's friend Dino have worked almost all night. Scirocco?

off again early in the morning, even to go out, before the morning chaos of this city ', (in which, if possible, the next time, do not stop), the second largest, after Tunis and continue the journey south, towards the island of Jerba .. that given the temperatures .. already 'foretaste refreshing baths.

... .. continues ... ..

FERRY TO THE JURF
Late in the afternoon we arrive in Le Jurf, the village boarding for transhipment on the "Ile de Jerba" and only 3 DT (€ 1.50) we get directly on the baby-ferry in 15 minutes, takes us (the ferry service, and 'always-on, 24 hours 24 ).

(Le Jurf, on the ferry that will take us' on the island of Jerba)

"Ile de Jerba"
joints on Jerba, almost all of the cross at an angle, bringing us into the "Zone Turistique" Rass Taguerness behind the lighthouse, where there are large parking areas near the sea and the extensive beaches and stretches to do "jogging." Obviously
area hotels and resorts, with a strong influx of French, Italian and Russian, now they too we find them everywhere.
Three days of relaxation, combined with long walks and runs along the endless beaches, with temperatures about 33/35 degrees, hot water and peace of mind at night, with a final visit to the capital "Djerba" about 25 km away, but at least for We disappointing.

MIDOUN - Faucets for public water
A Midoun, the village at about 6 km from the lighthouse they are in, we went for water at public taps that there are three on the road from Midoun and Aghir, one kilometer after the taxi rank.

Aghīr - Camping
To unload the tape, we went to the camp, the one moreover, that there is' entry of Aghir, called (like everyone else) .. Centre des vacances et de ... (dirty toilets and crumbling ... staff not very helpful ... and 'state!) Cost 10 DT.

.... more ...

ZARZIS
Tuesday '12 October, we then moved to Zarzis (beginning and end of the Roman bridge, there's' control of the Police) in which there are no public water taps, as Midoun, but in town there is 'a modern cafe' with Wi-Fi internet, free, no pwd, (but must at least order a drink), where we booked the ship's return to November 4. Free Overnight on the waterfront. Intense tropical downpours during night, but in the morning, clear skies and temperatures about 29/30 degrees.
After a fortnight's holiday on the coast, we have decided that the remaining 15 days. we would have dedicated to the discovery of praised the Tunisian desert.

Chenin
Departure towards Tataouine then to continue toward Chenini, arriving late in the morning and visit the mosque of the 7 sleepers ... a few kilometers above the village. Earlier
Chenini, normally stationed kids who are waiting for tourists, offering it as a guide. We chose Boubacher, a 18-year-old, alert and prepared for Dt 10 (about EUR 5) has been with us, inside the cemetery and Berber explained the history of the mosque ... and the Legend of the 7 sleepers, in addition to visiting the spring of water gushing from the mountain.

(Chenin, the mini-mosque of the 7 sleepers, with the minaret pending).

MATMATA
After visiting Chenini in the afternoon we drive to Matmata, along the inland road via Ghoramsen Keddach and Heritage, more 'short, but hilly and hardship.
into this country, made famous by the saga of the film "Star Wars" by Lucas (but the various editions, were shot in other places in Tunisia, which Nefta, Chenin, Douz, etc.). We have been "surrounded" by kids / guide. Tourists' s a really prey. Here we chose Mohammed, a 23 year old too much cooling for 12 Dt, we have introduced into the cave houses, visit the museum Berber (3DT) and places the film and finally to the Belvedere.
Well ... ... the canon around Matmata

Having a campsite, we went to sleep in the hotel's free parking "Diar el Berber" (indicatocelo from the guide) which is on the way to Douz. It also offers Wi-fi internet free and accessible to all without pwd, but am very disturbed because of the tourist buses that depart and / or coming soon. It 'better to stay near the entrance to town, in the dirt parking lot on the road, a few tens of meters before reaching the troglodyte homes, or e 'is also allowed to stop in front of houses.

Click here to see the inside of a house Trog and the small museum of Matmata Berber


DOUZ - The Gate of the Sahara
On 14 October, in the afternoon, we reach the legendary Douz ... referred to as the "Gateway to the Sahara" as well as famous, 'cause every year 24 to 28 December, will be held as' important' International Festival of the Sahara. "
It is 'also considered one of the most' important oases of Tunisia. which produces the best quality 'of dates, the famous Deglet Nur.
then direct us to Camping Desert Club, founded by an Italian Modena, nestled in a palm grove, kept in perfect order by the very active and extremely available Brahim, as the current "operator".

(Douz - Camping Desert Club)


We believe this is one of the best camping in Tunisia, in terms of cleanliness and tranquility '. The only drawback, also complained about other users, mostly 4x4 of all nationalities, and 'the fact that it has no Wi-Fi internet, given that almost everyone traveling on a netbook on board and wish to communicate.

Stand in a large space, we decided to use the scooter for the first time, but we could also do without it. In fact, we think it was a mistake leads, particularly in a traveling tour, where, when we came to this country, we never had the need 'to take him down' from the garage. We think that with the campers here, you can go anywhere and the bike 'and assume it will have been' for the remaining days, a weight portatoci below. We'll see.

In this unique occasion, the bike, however, allowed us to cross part of the oasis and bring us to the so-called, symbolic "Gateway to the desert where, just arrived, we found ourselves facing a large number of camels and of blacks Arabian horses, caparisoned at all points, who participated in the initial shooting of the future film, called '"Black Thirst" directed by acclaimed French director Jean Jacques Annaud, who directed the masterful "The Name of the Rose."
Then, we headed to the dunes to take some pictures and "breathe" the quiet atmosphere of the desert.

(Douz - on a dune in the desert)


The "Chott El Jerid"
The next day, ended the tribute to the renowned Douz, crossing the picturesque and extensive "Chott el Jerid," better known as the salt lake, located to 17 meters below sea level and famous for mirages that appear on its white surface with salt. ...

(the crossing of "Chott el Jerid)

we arrived at Tozeur.

TOZEUR
This center of Berber origin, known for articles made of clay, one by one created by craftsmen and better known as "decorative tiles" that many old houses in the Medina and other buildings, including modern, performing in harmonious mosaics and 'center of a vast governorate.

(Tozeur - Hand-crafted objects of clay)


Here we camped the "Beau Reves" a camping ground with enough clean bathrooms, hot / cold shower, toilet and drain the water intake and enough shade to a few hundred meters from the center (2 pers. motorhome 16 + DT).
addition, about 150 meters, leaving the camp, left, in a building that serves as a Management / Reception, also offer free Wi-Fi internet access.
to Tozeur, we also met Sonia and Andrew, 2 our old friends from Genoa, known in Morocco, a few years before, along with Frank and John and Claudia and Oscar, two other pairs of campers, respectively, of Modena and Genoa known here for the first time. They

pero ', the next day, leaving for the visit of Nefta. We therefore decided that we would have visited Tozeur and then we would have met again more 'forward to Tamerza or Mides .. the mountains on the border with Algeria.

CHEBIKA
Since we purchased a phone Sim Tunisia, we have kept in touch, meet again after the typical oasis / Chebika cascade, which we visited, staying, then, in the space (one) in which all off-road hauliers park of tourists.

TAMERZA
Together, we then went to Tamerza, where we hired Farouk, a young and well-known local guide, a fluent Italian speaker who, after having negotiated the price, 60 DT campers throughout the day, tomorrow morning at 8.30 and 'came to get, from parking on the street, overlooking the Hotel les Cascades, where we've been, leading to the Canyon Mides.

MIDES
A Mides, we visited the ancient ruins of the village, old ruins perched on the cliff of the Canyon and we then went down along the long bed of its river, between the imposing walls, with Farouk, at the end , made us go also various gardens, including the oasis, containing a number of local crops such as chili is made from the spicy "harissa".
... continue ...
At the end of this long hike back to the camper, we heard a loud bang, come from the nearby road and our guide, began to run, saying that perhaps something might have happened after that curve. I started to approach too briskly behind the curve and in fact had happened in an accident. From a distance

already 'we saw a tractor with a cart, standing in the middle of the road
and the silhouette of a scooter stuck just below it.
Approaching more and more ', could be seen, unfortunately, a man pours the ground on the right side of the tractor, which showed no apparent signs of life.

Farouk and others have called for help and realized I had not noticed that you have inadvertently switched the camera mode 'video, which had resumed, albeit confusingly, the scooter under the tractor and that it was being moved from the accident site, most 'other people. Then the ambulance (after several minutes, perhaps given the distance) and Farouk know us the man was a relative, who is also the official guide, and unfortunately for him there was more 'nothing to do. He was about 45 years and left his wife with three children, of which the last few months.

all very sorry, we took the camper and we went on our laps, bringing us to Redeyef to admire the mountains, rock formations and some of Rommel's famous track, which no longer exists' cause the whole road.
Tamerza We then went back in for lunch and complete, in the afternoon, and the other last excursion.
In the early afternoon, but 'Back Farouk with some Gentlemen, identificatisi, as relatives of the victim and tells us to wait, because' the police summoned him about the incident in the morning. He had, however, 'also told relatives and police, that a tourist had filmed something, 0 after the incident, and the Commander of the "Garde" local, want to see such times,' cause, they say, who was driving the tractor , had asserted that the scooter was not finished in the agricultural vehicle, but the poor man, was crashed by himself against a lamp post.

I temporarily left his wife and friends, visiting with Farouk and his family, at the local command of the "Garde Nationale", where I showed what appeared from the shooting. The relatives present, after watching the video, loved that movie that was worth more 'than any word for the truth' about where he placed the scooter.
I gave them a copy of the entire sequence of video on DVD, I greeted the Commander of the National Guard, I addressed to the relatives present the most 'sincere condolences on behalf of us all and I returned to the camper.
continues ... .... The
3 guided Farouk, proved to be very interesting, as well as the unusual and different paths that led us, even with the knowledge and information "additional" social life, habits, customs, traditions and so far the people of that area .. visited predominantly Berber, he loves to integrate.

(Among the ruins of Mides)


New Way to Gafsa
The next day, and we are at October 19, we left for Gafsa, along the new street in 'short, but not yet reported road from the guides, which begins just to the right of the intersection with Chebika, in practice, take the direction of the sign indicating "Sagdoudi." The way most 'long passing and Redeyef Moulares, was being renovated, and very rough us and we had traveled some when we went to see the track Rommel it anyway, and 'more' views, but mountainous, with many curves.

Metlaoui
In reaching Gafsa, we stopped for lunch at Metlaoui, where the local train station, we visited the famous and very old, red train, better known as the "Lazard rouge." It makes only a short day trip in the phosphate mines and some 10 to 10.30 - 20 Dt cost per person (10 €).

GAFSA
At about 16.00 we arrived in Gafsa, bringing us to Carrefour before (and 'in the Centre, on the road and did not suit our car parks to fend for ready-beasts ...' better) and to Camping "El Hassan" after. The camp is

located about 3 km upstream of Gafsa, Tozeur on the road from there and a large sign that indicates it (past the sign, you have to drive another mile and then turn left. In front of the gate, normally kept closed with a chain , ring.)

Camping shaded with discrete bathrooms, laundry, hot showers or cold loading / unloading and with the adjacent Cafe '(without Wi-Fi internet, it' other connections) as well as restaurants and albergo.Costo Dt 15 a day. In this camp we slept .. God, 'cause in the countryside away from traffic noise and above all ... .. there is no miracle' around the ... Muezzin at 5am ... it makes the speakers crackle .. Ahahhhhh!

Gafsa, did not, ns / view, irrelevant historical and archaeological, but it 's known for the production of pistachios and we stayed in this city', since it is on the way to Sbeitla for food and supplies to get into a campsite and then loading, unloading and cleaning different, since the last camp where we had entered, was in the distant Tozeur.

Info:
in Tunisia, as in "almost" all countries "Islamic" sites from YouTube, Vimeo and the like, containing predominantly "video", forget to see them: they are simply obscured by a 'government. At Google, Facebook and others you can ' ... access. ... but check country by country.
... continue ...

Sbeitla
The 21/10 in the afternoon, we arrive at Sbeitla. The town has a "Centre de Jeunesse de Vacances and" as they are called and we've been camping here, in the "open space" next to the Total Service Station, a few hundred meters from the archaeological site.

Unfortunately, after 4 am, the friend camper of Modena, whose vehicle was standing in the middle of our own and that of Andrea, and 'had to get a start, to scare away five shady characters who had already' cut the ties that held the scooter, positioned on the bike rack behind his camper, for rubarglielo.

In reality 'to the 3, but we had heard a knock on the wall of our little camper and Anita who has always had a "light sleeper, woke me up and I literally growled, loud screaming, who they were and what wanted. Then 's nothing.
We think they are "verifying" the depth 'of our sleep, then move on to aventuali "actions".

To tell the truth, Farouk, the ns / Tamerza guide, had warned us that in resorts' Kasserine and Sbeitla, being poor areas, in Tunisia, circulated some "Thieves" (Thieves). A

Sbeitla, whose Roman site, we suggest you visit, and 'therefore preferable to spend the night in the parking lot, closed and guarded hotel Flavius, again in a few tens of meters from the site, 15 Dt
The cost for visit the ruins and 'head on a 5-Dt' Dt 1 to take pictures.

KAIROUAN
The next day, we come to Kairouan in the late afternoon, and following the gentle motion of a Tunisian who was loaned out to lead us, we are at the "Maison de Jeunes" Sports Center which also houses the camper at a cost of Dt 10 a day (4 + 2 Dt in the skull to the current) with bathroom (quite indecent) for discharge, but no a tap available for loading and had to be there at the hot showers, then be closed. On the other hand, there is 'an Internet Point, (open 9 / 14 - 15/18) for the boys of the Centre, to which the dinar for a few cents per hour, can' be used by us.

We hired a taxi (in Tunisia, are very cheap) and a euro, we have made to bring "Sindycate d'initiative" in practice their "pro-Loco, to deal with a guide, also speaking Italian, since the "Fause Guide", false guides, ubiquitous, which are offered at every turn, almost always, lies in the camp take you to visit historical and archaeological aspects the place, often saying, "now been shut down." They are interested in you to do around the shops, then go on to collect "protection money" that in almost all African countries and / or Islamic, is recognized.
The cost of the Official Guide and 'but' of Dt 20 per hour and a half (almost twice a false guide)


So we visited for about 4 hours and half the places most 'important of Kairouan, considered the 4th City 'holy Islam, with its Great Mosque, the basins of Aglabiti, the old Medina, the mausoleum and more .. as the "Bir Ruta" that wretched place, located on the 1st floor of a building, where a "Shredding" Dromedary, all blindfolded, perpetually turning around a water well, to give drink to the thirsty ... ... .. and you would think not ... but in our opinion, only for the "joy" of tourists.

the afternoon, to "promenade" in the center, we moved to the Hotel Continental, located in front of the Sindycate d'initiative in the area of \u200b\u200briver aglabiti, even here, only electricity ', water loading and unloading, but without hot showers and free Wi-Fi internet in the lobby: Dt 20 a day.
(At Continental, there 'but' a lot of noise from traffic (morning and evening) and a few .... In most mosquito ')

Douggie
After 2 nights in Kairouan, it's off to the beautiful archaeological site of Dougga.
After about 220 km, we arrive in the evening to Teboursouk, small and remote village about 6 km from Dougga to stay for free in the tiny parking lot in front of the police, accepted by itself with very nice and friendly ', since the parking site archaeological, for some years, do not allow more 'to spend the night (to "secure' they say).

For those wishing to communicate with family and friends via Skype or Messenger or another, even Teboursouk, which is located near the mosque (and see) a hundred meters from the parking lot of the police, an Internet Point to a time Dt (ie 'half a euro).

came next day to Dougga, we negotiated the visit with Muna, a young woman, with a degree in archeology, speaking Italian, which 25 Dt (ie '€ 12, 50) took us to visit the Amphitheatre, the Parthenon with monolithic columns, the Forum, the Baths of Caracalla, the House of clover and much more, explaining, richly usage.
seems finally that Dougga, is the only city 'of Rome, built on top' of a mountain. Magnificent archaeological site, very well preserved and definitely worth a visit.

(Dougga)


Chemtou And Bulla Regia
After visiting Dougga, we said our goodbyes with friends and campers we continued the journey alone to visit the Museum of Chemtou and the archaeological site of Bulla Regia, while they, now here 2 months, they had already 'visited and were headed to Tunis.

the afternoon, after about 95 km, we arrived at the Museum of Chemtou, somewhat isolated position among the hills, visiting (usually cost 5 to head Dt Dt + 1 for photos) and being excited about the many items on display .
We asked and was granted a stay in front of the museum for the night, since, even in parking lots of Bulla Regia, about 20 km, do not allow more ' to stay in bed.

Around 21.00, we had the visit of the "Garde Nationale", which has asked for passports for the normal and necessary identification and further reassured us, hoping to spend a quiet night, in fact secure '.
After a rainy night and a chilly morning, we left to visit the archaeological site of Bulla Regia.
Again, the usual 5 Dt + 1 for photos and visit this extensive site, but with a few structures still standing and valid, Amphitheatre and Spa in the first place, many ruins the rest ... ..
We finished early enough to visit, even for a slight cold, still sharp and we left for Tabarka.

TABARKA
City 'on the sea (a bit' run-down) a few kilometers from the border with Algeria. Well-known fishing port, once known as "Centre of lobsters" because of this crustacean fishery, carried out in the distant island of the Galite, better known as the "zone of Mamelon" where in the past, many vessels in Sicily, were seized by the Coast Guard Tunisia, 'cause fish caught in the "illegal". Now with the agreements (read money) of the Italian Government and the Communities' European, it seems that everything runs smoothly.

We arrived in this city ', under a deluge of water, which continued for another 2 days.
We therefore direct to the Port and we have not stopped, where there are parking lots to comb where you can 'park free of charge, but we raised the bar that there' in front of the "Garde Nationale" and we have skirted around the port , arriving in front of the building blue "Capitanerie du Port" and Restaurant "Tout". We made the current column to a boat full of water and without the camper to the same taps and there are "squatting" in the middle, waiting for the flood ended.
Well, the recommended "Tout", aided by the bad weather and the forced stop, we ate two lobsters to keep grid at 20 euro per head and the next day, we also did an encore with grilled sea bass and sea bream ever.

A few meters away there 's also a bar with free Wi-Fi internet.
At the end of the second day, we paid at the Master 7.5 Dt / day (3.75 €) for water and electricity (there is no 'but' possibility 'to download the toilet) and we went to Cap Serrat, under a sky still overcast, but with a temperature around 19/20 degrees.

CAP SERRAT
After about 80 km we arrived at Cap Serrat. Parcheggiatici front of the Rest. "The Pirate", it starts to rain again. By now the weather not improving and we think it is very much influenced by the disaster that is causing this end of the month of October in Italy. A few hours to eat and decide to stay in this remote place, despite having a beautiful sea and a beautiful beach, but with the inclement weather would make no sense and we departed for Bizerte, promising to return another year, hoping to be more 'lucky.

Info:
In almost all countries of Africa, and not Islamic, but also in some southern regions of Italy, there is double the price. For any purchase made by a "tourist" is asked almost twice the price asked a local. While still negotiating, you will pay 'still more'. This' case for lack of transparency and non-exposure prices on items and / or goods for sale.

BIZERTE
One of the nice and cozy city of Tunisia, with its large drawbridge where everything stops when the tugboat towing the ships to the docks, loading and unloading.
to park and / or camping in this area, there are various opportunities:
In the parking lot of the port, where the police would prefer that we go to campers spend the night in Deuteronomy 5, which is located just steps from the stocked fish market meat and fruit and vegetables and a few hundred meters from the center. The camp
Centre de vacances Remel of about 3 km on the road to Tunis. It is surrounded by pine trees and Mediterranean few hundred meters from the beautiful beach at 9 Remel Dt Dt 15 with no light and electricity.
Good campsite with all facilities.
.... more ...

CAP BLANC
A Bizerte, we met again with the other 2 friends campers, we hailed a Dougga and missing a few days boarding on 4 Nov and since the weather was still cloudy, but with large patches of sun and a temperature ranging about 20-22 degrees during the day and 15/16 at night, we decided to buy a generous supply of "Shrimp", and lives at 28 kg to Dt (14 €), as well as bream and sea bass from almost 1000 grams, fish, 10.12 €, and we went on the enchanting beach of Cap Blanc at about 10/12 km from Bizerte to "forget" these clouds and the few surviving stocks of wine, (you know what it 'after a month of tour ... .. we were almost running out .. ) we decided to finish the holiday in this great land of Tunisia.

(at Cap Blanc, to forget the bad weather ... ..)


The only drawback, and 'that night, the "Garde Nationale", requiring them not to sleep', (for used to 'secure' in that the tourist and '"sacred") but to come back to Bizerte, Port or camping.

(Tour made) (Click on image to enlarge)

Thanks for joining us.

Ua Ola Loko I Ke Aloha Translation

rise again in Earthquake in contemporary

Twelfth Biennale di Venezia

What happens when a sgrullata, the Earth will take off houses and buildings? Or when the revenge of a stormy sea walls of water rise and swallow whole cities? Reconstruction, deaths, injuries and a host of goods destroyed, of course, but also a real culture shock in front of the vulnerability of technology and the collapse of architecture and urban planning that promised cheap final victory over nature. So much so that after the recent earthquakes and waiting for the turmoil to come, the 12th Biennale of Architecture, rich and poor facilities in projects, which gives evidence of humility ever seen. A
explicitly mention the terrible task forces, we think first of three initiatives. The Chilean Pavilion (but could be to Haiti), set up around the terrible earthquake on 27 February devastated the country. The U.S. pavilion, with its plans to rebuild New Orleans, wiped out by Hurricane Katrina in 2005. Finally, Sismycity, joint initiative dedicated to the Palazzo Ducale in L'Aquila and its no reconstruction. In all three cases, the lesson is clear for all, effectively summed up the iconography of the tragic events in the media. Not only old towns to rubble, the fragile structures of stone or wood came down along with centuries of history, but the images of gleaming modern buildings in steel and concrete that were believed infallible, imploded miserably with their inhabitants or disassembled on the ground as construction lego. For the survivors, a double tragedy that erases identity, links the past and puts a mortgage on future promises. Where one would expect the launch of sustainable architecture and industrial prospects of green technology, so, here is a Biennale focused almost entirely on the rediscovery of limits and infinity of human nature. Which opens with a work inspired by his Chilean earthquake: The Boy Hidden in a Fish, and the sculptor of Smiljan Radic Marcela Correa, granite quarry which serves as a natural retreat in the face of an "increasingly uncertain future." It continues with an enumeration of those principles that challenge the skills essential poetry of architecture: the force of gravity, which is evoked in two huge beams that stand in counter-balancing act in the installation of the English-Antón García Abril, the cyclic evolution atmosphere, staged in cloudscapes of Transsolar & Tetsuo Kondo Architects in a room that mimics the formation of clouds, and the intrinsic properties of materials capable of withstanding the ravages of the elements - wood, metal and earth - lined up in work-place, the key architect of the Indian studio Studio Mumbai. This, in the institutional process supervised by the director, the Japanese Kazuyo Sejima, behind a title based on a certain existentialist rhetoric, People meet in architecture, suggests its relationship with the natural holism of Zen Buddhism (although somewhat 'messy).
But even in the national pavilions, as always real open windows on the international scene, we witness a return to traditional practices seen as forms of technology wise that follow the cycles of nature, pursue research of ecological niches in which to protect themselves and do not seek to hold his head stupidly. A rediscovery of the ashes of the modern West and in the name of glocalization, that spariglia consolidated rankings and is a ground search for contemporary architecture in an identity crisis after the eclipse of the twentieth-century aesthetic. So much so that the Czech and Slovak pavilion, with its Natural Architecture or buildings in Rwandan bamboo fiber, and are far more ugly and banal of innovative sustainable construction projects of the American pavilion. Or that the Swiss Pavilion in the survey on quality landscape of late nineteenth century civil engineering (roads, bridges and viaducts) appears much more of the usual futuristic modernist utopias, such as those offered by the Australian Pavilion: vertical architecture, rational and bright. But, as everyone knows by now, unsustainable, vulnerable and not quite perfect.

Italy Pavilion

A critical look at Italian architecture and urban planning from the environmental assaults that past and present, changing the identity of the land, have undermined social cohesion and identity of historical and anthropological. This is the ambition of the Italy pavilion designed by Luca Molinari and promoted by Mibac and PaBaac. A feeling of loss is evident in much of the country, where rapid changes have not ruled fueled the excesses of identity and autonomy of recent decades. The intent of the pavilion is noble and puts his finger on some taboos as the "crisis landscape" or "destination of the goods stolen from the Mafia." But in view of available projects is apparent backwardness and inability of institutions in helping creative and organizational excellence, putting them into the network to promote collective intelligence. Their hypocrisy is in front of the construction industry back, dedicated to a very short-term speculation to the detriment of innovation. To realize how inadequate the Italian proposal, just the comparison with the Dutch pavilion. With the idea of \u200b\u200busing the real estate currently disused state to create educational and cultural institutions that will enable the Netherlands to become by 2030 one of the leaders of the knowledge economy. Namely to establish new institutions capable of spreading the necessary skills to take the lead in the global economy. No sale of state property for commercial purposes, therefore, no false redevelopment that will only spread to new territories saturated concrete (as it is from us), but a slight regeneration in the name of innovation, development and cohesion in a country where plans house does not serve to encourage speculation, but to break down and rebuild so ugly intensive architecture of the last century.

Adut Baby Source Felicity

Choosing Sejima

Interview with the director of the Twelfth Biennial of Venice

"architecture that brings people together." It is the program of Kazuyo Sejima, the first woman director of the Venice Biennale which will open the doors to the public August 29. Return that is by design, its suggestions poietic, his desire to improve life. Between the end of intellectualism and pragmatism, in fact, it seems the mission which has always been the curator of this twelfth edition. Little known to the general public, the Japanese architect - Founder along with Ryue Nishizawa of Sanaa study more and more appreciated - she is the author of exquisite buildings like the New Museum of Contemporary Art in New York, the Institute for Modern Art in Valencia or the draft of the new Louvre in Lenz. But above all it is involved in the search space "fluid" as they should be democratic societies, because flexible anti-ideological, open to nature as a lung. Summarized in the title this year: People meet in achitecture. Everything following the teaching of Toyo Ito, whose Sejima was assistant for six years, from 1981 to 1987, and that synthesis of modernism and Eastern cultures, Zen Buddhism in the head, which has given so much to the architecture of the sixties and seventies.
explain it clearly is Sejima herself: "The purpose of architecture is to create spaces that help to promote communication. Especially now that the latest technologies replace more and more dialogue, the real exchange. An architect should imagine fluid spaces and non-hierarchical able to create a seamless flow of information between inside and out, and to reassure people about their ability to reinvent them in all autonomy. " From this idea of \u200b\u200barchitecture, diverse, flexible, between Buddhist and flow of globalization, has led to the decision to subcontract the entire exhibition to a large number of architects, because each will produce a spatial module in communication with others. "Each participant - lets you know Sejima - was given a section of the rope factory, where it will be the curator himself. All artists and architects taking part in the Biennale, as well, will give proof of their way to articulate the proposed topic, explaining its position on the social mediation of space. In this way, the exhibition will feature a variety of viewpoints in fluid dialogue between them and not by a single orientation. "
approach in line with the many projects signed over the years. Boxes minimal and adaptable to all uses that let the light and charm of the landscape, deceiving in absolute osmosis between inside and outside. Not surprisingly, the study Sanaa has happened in some particular types of public buildings, museums, schools and municipalities, the symbol of democracy concerned to declare non-hierarchical relationships with citizens and let out to see what is happening inside. Real livability and usability of machines that have a lot to Toyo Ito and his Urban Robot (URBOT). Famous agency founded in 1971 in the climate of democratic utopia in architecture, inspired by the development of cheap technology, had seen the birth of a little 'everywhere trials futuristic (as in the utopian projects of the Italian Superstudio Archigram or English). A world deeply in the world of Sejima and the root of projects that rely on the discretion of aesthetics, not more high-tech influences, their social flexibility. Universe at the heart of the Twelfth Biennial, therefore, as lifetime achievement award also reaffirms the Dutchman Rem Koolhaas. Author, among others, of Delirious New York, fetish book for a generation that saw the constructive solution to the fury of liberal capitalism in spontaneous vertical growth in height in order to save the territory and not in a warning on the biological limits of civilization in a more severe social and territorial planning capable of cutting the legs to speculation. A Biennale that is looming very different then from previous 2006 and 2008, directed by Richard Burdett and Aaron Betsky, focusing on sustainability, the need to remedy the existing before proposing new volumes in the territories often slaughtered and dall'abusivismo speculation.
intellectual and rarefied, so far away from the plagues of the contemporary, the utopian elite Sejima perhaps even likely to be the weak point of this edition. That suspicion is reflected in the responses given by the director about it. Asked whether democracy in architecture today does not mean protection of resources, priority to environmental regeneration of what exists, director replicate a bit 'evasive: "I think the real ideal of plural spaces is closely linked to the issue of sustainability." To judge, of course, you will have to wait for the opening of the exhibition. For now, however, given the crisis that the world just from real estate speculation took off, it would seem a little 'bit. As if facing the upheavals already underway and we expect the answer would suffice provided by traditional cultures. The same ones that felt powerless in the massacre.

Lime Green And Black Suit

Kentridge, five themes

Aesthetics and Politics at the Jeu de Paume in Paris

Much has been written on the political commitment of William Kentridge. The artist, white, South African anti-apartheid Battut, now the star of a retrospective at the Louvre and the Jeu de Paume in Paris (until September 5). His best known works are animated in black and white and put in succession Expressionist charcoal drawing. Most famous of all, the cycle of Soho Eckstein, fictional story of a tycoon and a bit 'Mafioso, graphic translation of capitalism and its greed, that eat up the distillate of the injustices of segregation in South Africa. Less known, however, the complexity, the facets of his ethical and political conception of art. That does not stop a fight for another win, but questions with no certainty about the ability and the limitations of men.
The exhibition, which landed as MOMA, has a very suggestive title Five themes (five themes) and intends to rebuild the search for Kentridge in all its complexity. The complaint of the early social, ethical and existential To the question of recent years. From the portrait of the ruthless capitalist society, the problematic exercise of the self as an artist. How can, in fact, the intellectual who denounced the brutality of the story, get out in the trial on which it is part of humanity? The answer to this crucial question, is one of the five themes studied by the exhibition, the artist in the studio. Three video screened at the same time in which depicting Kentridge and undoes itself, in search of an impossible moral integrity. A deconstruction of the self and its aspirations for humanity that seems to ask intelligent, knowing clearly what is evil, does not find the will to refrain from committing it.
the European rationalism incapable of an answer, comes to the rescue of Kentridge whole African culture. His sense of the spiritual, his tragic view of existence where life, incredible gift is a terrible question that keeps in check the reason, a being thrown into space, a being possessed by underground energy and perpetually threatened by the end. One of the unknown ancestral wisdom that, in the face of aporia of the intellect is several years been the largest contributor to the renewal of Kentridge cosmopolitan contemporary art.

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Dreamlands?

If the dream becomes a nightmare postmodern

There is little to be done, postmodernism has won. Not all the temples of art and architecture, more perhaps. But he won on the road, in kitsch objects stored in the stores of a West as a crisis, the more consumerist. Dominates in the architecture popular in large commercial buildings, design and fashion in an eclecticism without complexes. To make progress on this show is a triumph of the Centre Pompidou: Dreamlands, from the carnival city of the future (until August 9). The dispute has its roots in the postwar period, with the debate on the legacy of the Bauhaus that since the mid-twenties had proposed unification of the arts, pursuing passing of beauty in the name of perfect forms as fully functional. Rationalism, however, that rather than being universal and ahistorical had finally result in an aesthetic like the others, coupled with precise time, and most unfortunate, that of war and totalitarianism. For almost twenty years the West has tried itself, practice tests flavor uncertain until the boom would confidence returned, reopening the dispute where the war had left her. The two currents of modernity, thus, active since the nineteenth century, would return to face: features or beauty? Aesthetic emotion or rationality? Modernism or postmodernism? That is, the symbolic and emotional component is also an essential function that establishes the autonomy of aesthetics, functionality, or an obstacle?
the early seventies, focuses more on which the exhibition would be a workshop led by Peter Eisenman and Robert Venturi.Il first, drawing lessons from the mistakes of the modern masters, the approach would create deconstructionist, if there is no purely rational and universal form, as experience gives it significant, however, symbolic values, the only salvation is to deconstruct the existing forms emostrare their conventionality, the rhetorical use which lends their emotional dimension, a possible advantage of power. It would be deconstructed and asymmetric born architectures such as those of Frank O. Gehry and his famous Guggenheim Bilbao. Venturi would instead become the most visible theorist of postmodernism, a supporter of the complexity of humans and the limits of reason. Convinced that the symbolic dimension as one of the essential functions of understanding and art. Postmodernism in architecture - such as Pop art very close to the exuberance of capitalism - would play with the symbols of the tradition known to all, with their charm and their history, as in the case of Aldo Rossi and Ricardo Bofill. From then to now, the lights, the facades of contemporary icons of consumption charges, so exalted by Venturi in Learning from Las Vegas, would become become the prototypes of the global landscape. False antiquities in the middle of roundabouts, neo-Renaissance fountains, angels in plaster villas overlooking gardens eclectic classical porches of temples on the facades of new resort for the rich. Not to mention new cities conceived as symbolic of the giant machines. Shanghai or Dubai, a city where there is no square meter that does not seem an amusement park and lead the imagination into a few elsewhere. As demonstrated by the ambiguous architecture of Richard Meier, even the fathers of modernism has become a world historical context, merit citation. For the rest, artificial islands shaped like palm trees, which seem skyline of paper, towers that do to the history of architecture. Dubai, a destination of choice of the exhibition is a perfect illustration of his title: Dreamland, which was originally the name of a New York amusement park destroyed by fire in 1911. Miniature metropolis of junk made of the most famous cities in the world.
Here we are, thus, theoretically investigated by the editors at heart, Quentin Bajac and Didier Ottinger. The link between eclecticism, postmodernism and capitalism. Among the hedonism of the consumer society and the preference for the symbolic key of pop culture aesthetics. The exhibition, moreover, opens with the memorabilia of world's fairs of the nineteenth century, suggesting their affiliation with the present. In the name of the industrial revolution, enabling wealth and prosperity as never before in history, would have created a consumer paradise on earth, intent on interpreting the basic needs of anthropology and sweep away forever any culture or spirituality competitor. Hence the victory of postmodernism on any other alternative, however, obliged to compete with it spectacular.
Small problem, however, a progressive hypertrophy of the symbolic to the detriment of other functions, of which the exhibition does not take into account. Buildings uncomfortable, poorly designed, expensive and unsustainable from an environmental perspective. Scenography designed only for the appearance, become disproportionate propaganda machines that well describe the evolution of contemporary society and the fate promises of democratic industrialization. A postmodernism are allergic to any rational project now threatened by ecological design, which in all its sophistication has become the official aesthetic of neo-liberalism. Faced with the risk that the paradise on earth left to itself becomes a hell of nature and society out of control, that of the postmodern hours could prove a Pyrrhic victory?